This is the real deal, with guaranteed quality of the recording, mastering & pressing. Alice in Chains - Sludge Factory (MTV Unplugged) (vinyl + video + lyrics) Album: Mtv Unplugged Release Date: Number of Discs: 2 Label: Sony Music Canada Inc EQUIPMENT USED. UNPLUGGED isnt Alice In Chains first unplugged record its just the first official, MTV-sanctioned one. Alice In Chains - MTV Unplugged - Recorded using Effenel Music Mobile Recording, New York City, at the Majestic Theater, Brooklyn Academy Of Music. Music On Vinyl have decided to press the record on double 180 gram black audiophile vinyl, as opposed to the many colorful bootleg cuts that have been released over the years. Unplugged (UK-import) (VINYL - 2LP - 180 gram). The tension and excitement in the audience is palpable throughout the entire show, and it makes this a fantastic record of the greatness of Alice In Chains. It is not permitted to sell this item on Discogs. The band perform songs from both Alice In Chains and Dirt albums as well as their critically acclaimed E.P.'s Sap and Jar Of Flies, creating new and exciting arrangements for their heavier songs while reinventing others. Vinyl CDs Vinyl Accessories Books Apparel Pins & Patches Toys For All Ages & Puzzles. Alice In Chains MTV Unplugged (2009, Purple, Vinyl) - Discogs Release r2048061 Copy Release Code Edit Release All Versions of this Release Recently Edited Add to Collection Add to Wantlist Marketplace This release has been blocked from sale in the marketplace. Visibly frail, he and band members Jerry Cantrell, Mike Inez and Sean Kinney still out-performed many of the other acts that crept in front of MTV's camera, making this one of the most legendary performances of the series. Unfortunately, it also turned out to be one of the last ones they would ever do, as lead singer Layne Staley's drug addiction was already getting the better of him. Tyler, Other : Audrey Morrissey, Producer: Alice In Chains, Producer: Toby Wright, Producer : Alex Coletti, Recorded By: John Harris, Recorded By: Toby Wright, Recorded By : Brian Kingman, Recorded By : John Bates, Recorded By : Rich Lamb (2), Vocals: Layne Staley, Vocals, Guitar: Jerry Cantrell, Written-By: Jerry Cantrell, Written-By: Layne Staley, Written-By: Mike Inez, Written-By: Sean Kinney, Written-By: Jerry Cantrell, Written-By: Jerry Cantrell, Music By : James Hetfield, Music By : Kirk Hammett, Music By : Lars Ulrich, Written-By: Jerry Cantrell, Written-By: Layne Staley, Written-By: Sean Kinney, Written-By: Jerry Cantrell, Guitar : Layne Staley, Written-By: Layne Staley, Written-By: Jerry Cantrell, Written-By: Jerry Cantrell, Written-By: Jerry Cantrell, Written-By: Mike Inez, Written-By: Jerry Cantrell, Written-By: Jerry Cantrell, Written-By: Layne Staley, Written-By: Mike Inez, Written-By: Sean Kinney, Written-By: Jerry Cantrell, Written-By: Sean Kinney, Bass: Scott Olson, Guitar: Mike Inez, Written-By: Jerry Cantrell, Labelcode MUVN4898034.1 (MOVLP138, MOVLP138), Phonographic Copyright (p) Sony Music Entertainment, Copyright (c) Sony Music Entertainment, Manufactured By Music On Vinyl B.V., Distributed By Music On Vinyl B.V.In 1996 Alice In Chains performed their first show in three years for MTV Unplugged. Bass: Mike Inez, Directed By: Joe Perota, Drums: Sean Kinney, Guitar: Scott Olson, Mastered By: Stephen Marcussen, Mixed By: Toby Wright, Mixed By : John Bleich, Mixed By : John Seymour, Mixed By : Don C. Artist: ALICE IN CHAINS Title: UNPLUGGED Street Release Date: Domestic Genre: ROCK/POP Product details Is Discontinued By Manufacturer : No Language : English Product Dimensions : 5.6 x 4.9 x 0.4 inches 3. In 1996 Alice In Chains performed their first show in three. Alice In Chains MTV Unplugged 2LP Color Vinyl Record Brand New Brand New 175.00 tblishak (1,369) 99.5 or Best Offer +5.05 shipping Sponsored Alice In Chains MTV Unplugged 180 GRAMS AUDIOPHILE VINYL NEW OVP 2xVinyl LP Pre-Owned 35 product ratings 331.55 rocki6725 (2) 100 or Best Offer +4.
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This can include any of the following, as well as a number of other types of document: What to shredīeing aware of what to shred is half the battle when it comes to protecting your company from the dangers of identity theft and other fraudulent behaviours. Increasing recycling rates in the UK is good practice alone, aiding the continual production of new paper, without the added benefit of avoiding problems of identity theft as discussed above. Rather than placing documentation into a bin where it can easily be stolen, it is much better practice to shred and recycle unwanted paperwork. From identity theft to credit card fraud, your documents could prove invaluable to criminals, something which can easily be prevented by simply shredding your paperwork once you no longer have use for it. Since there is no law in place to prevent the general public from going through your bins, once your documents reach the bin it is out of your hands who may find them, from which point all manner of difficulties can occur. The fastest growing crime our nation is experiencing today, identity theft is an epidemic that will only continue to proliferate should businesses fail to be rigorous with their disposal of confidential paperwork. Failure to secure said information can result in serious penalties which tarnish the reputation – and possibly the finances – of your business, with fines of up to £500,000 in place for the loss of an employee’s confidential information. By choosing not to shred your business’ documents, as a company you run the risk of breaching privacy laws laws which apply to all businesses and individuals, stating that you are responsible for protecting all documents and information acquired from customers and clients. One central reason that makes shredding old documents so important is the legal implications that failing to do so may have. Here, we explain why it is so important that businesses shred their unwanted documents, both to themselves, the wider economy and the environment. With a high turnover of paperwork and unwanted documents generated by businesses, it is important to know the best practice when it comes to effectively and correctly disposing of them. Make an online shredding appointment here, just fill out one simple form.Why Businesses Should Shred Unwanted Documents (949)459-3278 or email john at shredbull dot com. Or give us a call, text or email us to discuss. Fill out this form and we will contact you. We are honest and upfront, no games, no added fees, just great shredding at a great price. You will not find upfront pricing like this on the other guys websites. We will come to you and shred all of your confidential paper right there for you to witness. 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Removing 'diversion of /boot/overlays/gpio-key.dtbo to /usr/share/rpikernelhack/overlays/gpio-key.dtbo by rpikernelhack' Removing 'diversion of /boot/overlays/gpio-ir.dtbo to /usr/share/rpikernelhack/overlays/gpio-ir.dtbo by rpikernelhack' Removing 'diversion of /boot/overlays/gpio-ir-tx.dtbo to /usr/share/rpikernelhack/overlays/gpio-ir-tx.dtbo by rpikernelhack' Removing 'diversion of /boot/overlays/gpio-fan.dtbo to /usr/share/rpikernelhack/overlays/gpio-fan.dtbo by rpikernelhack' Removing 'diversion of /boot/overlays/googlevoicehat-soundcard.dtbo to /usr/share/rpikernelhack/overlays/googlevoicehat-soundcard.dtbo by rpikernelhack' Removing 'diversion of /boot/overlays/goodix.dtbo to /usr/share/rpikernelhack/overlays/goodix.dtbo by rpikernelhack' Removing 'diversion of /boot/overlays/ghost-amp.dtbo to /usr/share/rpikernelhack/overlays/ghost-amp.dtbo by rpikernelhack' Removing 'diversion of /boot/overlays/fsm-demo.dtbo to /usr/share/rpikernelhack/overlays/fsm-demo.dtbo by rpikernelhack' Removing 'diversion of /boot/overlays/fe-pi-audio.dtbo to /usr/share/rpikernelhack/overlays/fe-pi-audio.dtbo by rpikernelhack' Here are the errors I obtain after doing a (sudo apt update Malika Cantor as Partner and GM and Ashton Brown as Head of Program. Two ex-Sequoia operators are part of the team at launch as well. To hunt = to post a product on Product Hunt.Hyper is a $60M early-stage fund co-founded by Josh Buckley, Product Hunt’s current CEO along with writer, founder and designer Dustin Curtis. This playbook walks you through launching a product on Product Hunt. Understanding how Product Hunt works is important because you have one shot. You won't be allowed to post the same product again for six months-and that's only for total redesigns. You don't get redos.įor this playbook, we interviewed 14 of the most successful hunters and makers. We cross-checked their advice and got to the bottom of hitting Product Hunt's front page. Many household names got their start on Product Hunt: Robinhood, Gimlet, and Houseparty-to name a few. PH has proven itself to be the most effective place to launch and discover startups. Think of PH as Reddit for product launches, but with a kinder community. Makers or hunters post their products to Product Hunt.Members of the PH community upvote their favorites and leave comments.Products with a high quantity and quality of upvotes rise to the top and generate thousands of website visits.What we learned in our research is that there is a right way to do it. It's not the gamble that getting on TechCrunch or hitting the front page of Hacker News is. Let's explore the PH methodology we've uncovered. Over the past few months, Buckley says that Product Hunt has grown headcount by around 50 in part to boost its ability to act as an enhanced distribution channel. How to convert website visitors into customers.Product hunt josh 60m product huntpanzarinotechcrunch how to# When you launch products on Product Hunt, you're reaching an audience that's actively looking for new and exciting products to try. #PRODUCT HUNT JOSH HYPER PRODUCT HUNTPANZARINOTECHCRUNCH HOW TO# That should make marketers' alarms go off.Įarly adopters get products off the ground. They’re essential for product validation, customer development, and momentum. Not only are they willing to use your product while you iron out the kinks-they actually enjoy it.īetter yet, early adopters tend to share their opinions of new products with their networks. If they like yours, they'll become its first advocates. This is the true value of Product Hunt in the customer acquisition landscape: validation and early traction. #PRODUCT HUNT JOSH HYPER PRODUCT HUNTPANZARINOTECHCRUNCH HOW TO#. As capture devices can receive and record SDI signals frame-accurately, all changes in camera and lens parameters can be stored precisely for each recorded frame. If set up correctly, Livegrade Studio can receive live metadata for the currently applied camera and lens settings (see above). Livegrade Studio allows frame-accurate recording of dynamic camera and lens metadata from SDI-connected cameras via capture devices. Slot user interface displays dynamic camera and lens metadata Recording Dynamic Metadata with Livegrade Studio This way, you can monitor value changes in the metadata fields in real-time during shooting so that you can easily see if a shot includes a focus rack, aperture changes, or other relevant events in camera and lens parameters. The slot user interface in Livegrade Studio can be configured to display incoming dynamic metadata from cameras, LUT boxes, and capture devices. Displaying Dynamic Metadata in Livegrade Studio This article sheds light on the dynamic metadata features in Livegrade Studio and the Silverstack family. Hence, spreadsheet files carrying tables of dynamic shot metadata such as CSV become common intermediate formats for VFX-heavy productions and shows that are applying new techniques such as virtual production. Dynamic metadata, which contains frame-accurate value changes of camera and lens parameters, offers full transparency. Consequently, DITs and dailies operators need tools to collect metadata and pass it on to VFX supervisors or post departments. In contemporary productions, communicating relevant metadata to the VFX department is increasingly demanded. The Library folder is hidden by default.Updated : Version cues added for availability of dynamic metadata exports This is the process for deleting Silverstack Lab 7’s preferences: If you are using Silverstack 3, please read the article Silverstack 3: Reset Library and Preferences. If you are using Silverstack Lab 7, or any other previous Silverstack version please refer to the sections below. The previous instructions are for Silverstack 7. This is the process for deleting Silverstack 7’s preferences: If you are using any other previous Silverstack version please refer to the sections below. The previous instructions are for Silverstack Lab 8. This is the process for deleting Silverstack Lab 8’s preferences: If you are using Silverstack Lab 8, or any other previous Silverstack version please refer to the sections below. The previous instructions are for Silverstack 8. If the problems persist, please contact our support team. The article Reset Silverstack’s Library and Preferences explains how to create a new library in addition to the preferences reset. If you still experience issues, then maybe Silverstack’s library is corrupted. Type the following command in your terminal window.Open up the Terminal application (type terminal in your spotlight or navigate within the Utilities folder of your application folder).Choose this entry and a Finder window will open with the Library folder. You will see an extra entry “Library” in the “Go” menu. The Library folder is hidden by default. You can open the Library folder in Finder when opening the “Go” menu and holding the “alt” key. Create a copy/backup of the following file (optional).This is the process for deleting Silverstack 8’s preferences: Please refer to the different sections below depending on which version of Silverstack you are using. Therefore a slightly different process of resetting the preferences is needed. Silverstack 5, 6, 7 and 8 have different library folders and different preferences files. In case that Silverstack doesn’t launch on your computer, you can reset the preferences for a clean restart of Silverstack. “The launch of the Acoustasonic Player Telecaster feels like a no-brainer move for Fender, spreading the potential appeal of what is virtually a whole new category of guitar. The feel of the bevelled arm rest and fingerboard edges says quality and comfort this is an inviting guitar and that Modern Deep-C neck will feel familiar to anyone who has played the electric Player series models.” A lovely dark rosewood fingerboard and bridge replaces the US version’s ebony, but that’s not anissue for us. “In terms of feel and build, we honestly can’t find a compromise between this Ensenada-made Player and the US Acoustasonics we’ve tried. MusicRadar: The onboard voice options might have been scaled down but the Acoustasonic Telecaster sticks the landing as a Player Series model, in what could be one of the guitars to make the hybrid build truly go mainstream.įender Player Series Acoustasonic Telecaster: The web says That, in sum, is the sort of thing the Acoustasonic format encourages. That said, it can be pressed into service of many different kinds of styles, perhaps some that are all your own. It is warmer, with a little more width than you’d expect from a Tele’s bridge pickup. Fender promises twang but this isn’t Pete Anderson levels of twang. Park yourself on position one for a more traditional electric guitar experience, but don’t necessarily expect a traditional Telecaster experience. In a sense, this is a sound that almost exists outside of the spectrum of acoustic/electric tones, and is sure to support pedalboard experimentation. The sound is just coming from the piezo and as you turn the blend control it adds drive. Here is where the true hybrid tones are, and as such, there are fewer references for what we are hearing. It’s very easy to download, all you have to do right now is to follow the links provided below to do that.
So if you’re new to Logic Pro, you’ll want to have it on. Quick Help gives you a brief description of what everything on your screen does. There’s a lot to look at here, but we’re just going to focus on the necessities.įirst things first, check out the “Quick Help” button on the left side of the screen. One example is changing the tempo of your song. This is where you’ll make changes that affect your entire project. Just below the navigation dropdowns is the main interface. Let’s break down the interface step by step so you know exactly what you’re looking at when you open a project. Where do you even start?īut don’t worry! It’s not as complex as it first seems. It’s easy to be intimidated when you open Logic Pro X for the first time. Set the beat grid markers as often as needed until the track stabilizes or ends (whichever comes first).Part 1: Getting Comfortable with Logic’s Visual Interface You can see in these pics that the tempo changes from 128 to 120 after the set (Red) beat grid marker has past the playhead,Īs the track slows down in tempo the beat grid will have to be set at every change. Or if you choose to not have Sync engaged it will tell the FX if applied, what beats to follow. Tracks with Beat Warp Markers are able to be be perfectly Synced to tracks with no tempo changes without the beats dropping out of time. Using the set button, you can set markers to any new major transient. This allows the Beatgrid to follow the track’s change in tempo. Some music, especially with live drums or no quantization, tempo changes within the music, no tempo (Sun Ra), will give the software a hard time though and some manual editing might be needed. (Hot keys are Alt + X or Alt + Mouse Click on the first Beat).įor songs written/produced to a quantized grid (like most electronic music), the Beatgrid will be correct throughout. You can then set the Beatgrid on the first beat of the track (like you would do when setting a Cue Point), by clicking Set under the Markers section of the Edit Grid mode panel. In my experience, I find it best to just clear the grid in this situation by entering the Edit Grid mode and hitting delete on your keyboard. It can confuse the software in thinking that the sound is the first beat. This may be a sweep, a snare, a clap etc. Often if a song doesn't start on the very first beat or "downbeat", the software will start the Beatgrid at the first major sound (or transient). You will now be able to edit Beatgrids using this panel: You will have to click on the Edit Grid button to activate the editing panel or by pressing ALT + Spacebar (press twice to adjust for the right hand Virtual Deck's track). You can edit Beatgrids in the Offline Player, or while you have your hardware connected. When you analyze your files with this option enabled, it will set Beatgrids for those tracks.Īlthough this is a handy and quick way to get accurate Beatgrids on all your tracks (new and old), it's not always perfect and adjusting Beatgrids manually can still be necessary. When adding new files to Serato DJ Pro, there is an option to Set Beat Grid / BPM in the Analysis Settings in the Offline Player (without Serato DJ primary hardware connected). In this article i'll explain how to set them properly and easily. If your Beatgrids aren't correct, your mixes will be out. When pressing the Sync button in the software or on your hardware and syncing with another track, these lines will snap together to sync precisely. These lines indicate where the the beats lie. If you aren't using Smart Sync or are using Simple Sync and haven't checked the Snap to Beatgrid option in the Setup screen, you will not see them. They are a key component in Serato DJ Pro and features like SYNC require your Beatgrids to be on point to work correctly. You might have noticed your analyzed tracks have little numbered grids on the waveform. You land your ship in what appears to be the Southwest U.S., and explore this poor excuse for a town. It isn’t the earth of the present, the year is 1947 (if I remember correctly). On the other side of this black hole is an alternate-reality Earth. We are dealing with a work of fiction here, after all. Let’s suspend belief for now and imagine that that is even possible. About 20 hours into the game (give or take), you’ll run into a horrible sci-fi cliché, your ship, the Calnus, and its entire crew, will be tossed through a black hole and spewed out on the other side. Let’s look at an example, and I’ll give a spoiler warning here, as I will mention a few story points, but because they hardly relate to the game’s main plot at all, probably won’t matter. There are side plots in this story that, even to this day, I wonder what reason they have to be in the game at all. The movie is entertaining, but that’s about all it is. It’s kind of like when you go to see a movie, and you could care less about the plot because it’s bad, or the characters, because they’re written pretty horribly, but there are lots of explosions and cool visual effects. All this combines to make an entertaining romp across the galaxy, if not unique or fulfilling. The characters are interesting, at least for a little while, even though they are typically huddled into JRPG stereotypes. It’s hard to understand at times, but that is the way of the JRPG. The story is pretty cliché, in a way, but that doesn’t necessarily make it bad. Naturally, that mission goes horribly wrong at the outset, and Edge and Reimi get embroiled in events that could determine the very fate of the entire universe. On that ship we find our two main characters – Edge and Reimi – a couple of childhood friends that are tossed into space on a mission to find humanity a new home. That foray away from home is led by several ships, one of which is the Calnus. Star Ocean: The Last Hope really catches my imagination in that way, because it sees humanity reaching toward the stars to find a new home after they destroyed Earth in a massive nuclear holocaust. I’m in awe of space exploration in general, seeing new things, finding out what is out there, beyond the blue jewel we call our home. I grew up on watching reruns of the original Star Trek and then spent my teenage years watching The Next Generation. I’m innately drawn to just about any form of entertainment with a sci-fi setting. How did my second encounter with this latest Star Ocean game fare, taking into consideration all the additions to the PS3 iteration? Read on to find out! I was so enraptured by actually having a fresh JRPG to play that I let a lot of things slip by in my mind, possibly putting the game up on a higher pedestal than it really should have been located. I pre-ordered and played the game on the 360 and really enjoyed it, for the most part. With that in mind, I purchased my little Microsoft box in late 2008, because I knew what was coming up – the latest Star Ocean game by tri-Ace, one of my favorite JRPG franchises. To my surprise, they turned up exclusively on the Xbox 360. There was a time, not all that long ago, where I was really hurting for some decent JRPGs. I’m having a feeling of déjà vu, but in a good way. Revised the former “Upgrade from Mavericks Server” chapter to discuss how to Upgrade to Server 5 from Server 4. This chapter has handy links to make it easy to find Server 5–related content in this book. Updated the former “What’s New in Yosemite Server” chapter to describe What’s New in Server 5. Updated text to reflect Apple’s new terms and names in Server 5 Updated screenshots to reflect Server 5’s visual changes Here’s a list of the most notable changes: Despite the change in operating system requirements, differences in the visual interface, and a variety of small functional tweaks, the basic features of Server have changed little. This new version, 1.2, continues the trend, covering Server 5 in 10.11 El Capitan. This is the third version of this book, with the 1.0 version looking at Server 3 in 10.9 Mavericks and the 1.1 update focusing on Server 4 in 10.10 Yosemite. Similarly, the book does not cover imaging, Xsan, or VPNs. Large installations will have different configurations by necessity. Note: This book assumes that the average reader has one router, one network, and one server (although there are a few spots where it discusses how multiple servers interact). What should I do if Time Machine on a client Mac can’t connect to the server?.Should I use the Software Update or Caching service, or both?.Does setting up an organization wiki requires the Websites service?.Will I be able to enforce iPad device restrictions via Profile Manager?.Can OS X Server provide a private messaging service?.Is there a good way to share contacts between people? (No, sorry.).What’s the big deal about running a mail server?.Which ports need to be opened to make services available to the Internet?.Why is it important to set up directory services early on?.What’s the best way to speed up a server whose performance is lagging?.How much RAM and drive space should my server have?.What’s the best Mac to use as a server?.You’ll find answers to many OS X Server-related questions, including: To download these older books, once you’ve bought this title, click Ebook Extras (page 3 of the PDF) and look in the blog. And those who have OS X Server 4, also known as Yosemite Server, can download the 1.1 version. Readers who have OS X Server 3, known as Mavericks Server, should download the 1.0 version of this book. Older versions? This book describes 10.11 El Capitan and OS X Server 5. A final chapter offers advice on how to keep your server running smoothly. You’ll learn how to set up file sharing, create shared calendars, run your own Web server and wiki, coordinate Mac and iOS software updates for your users, manage your organization’s iOS devices (MDM), and provide networked Time Machine backups, among much else. Unless you know what to enter and why, your server won’t work, or worse, its important data will be vulnerable to outside attack or hardware failure.įor anyone in a home or small office situation who needs help with OS X Server, Charles Edge draws on years of experience as the CTO of a national consultancy and managed services provider to give you the essential background explanations, step-by-step instructions, and real-world advice you need to set up and run OS X Server successfully. No matter how easy Apple makes working within the Server app, there are terms, concepts, and procedures you should understand before tackling server installation and management. We won’t beat around the bush - running Apple’s OS X Server requires a lot more knowledge and effort than most other activities on the Mac. |